Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Bonifacio Bembo
Recreation by our Gallery 02

ID: 32521

Bonifacio Bembo Recreation by our Gallery 02
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Bonifacio Bembo Recreation by our Gallery 02


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Bonifacio Bembo

Italian Early Renaissance Painter, active 1444-1477  Related Paintings of Bonifacio Bembo :. | Portrait of Farancisca Garcea de Mora Belenguer | European city landscape, street landsacpe, construction, frontstore, building and architecture.037 | Atlanta and Meleager 222 | St John and Jesus at the Last Supper | Disputierende Monche |
Related Artists:
REYMERSWALE, Marinus van
Flemish Northern Renaissance Painter, ca.1490-1567
Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Pietro Vannuci called il Perugino
Citta della Pieve ca 1448-Fontignano 1523






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